Visions from Pauline Curnier Jardin’s filmic research

Studio Notes

[1]

Pauline Curnier Jardin, ‘Peaux de Dame’ (2018), installation

[2]

Flanders or England (ca. 1410), Oxford, Bodleian Libraries, Lat. liturg. f.2, f.4v. From ‘Body Language: Het lichaam in de middeleeuwse kunst’, Museum Catharijne Convent, Utrecht (25 september 2020 - 17 January 2021)
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[3]

Alexis Pauline Gumbs, ‘spill: scenes of black feminist fugitivity’, Duke University Press, Durham and London (2016), page 34.
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[4]

Rebecca Tamás, ‘Joan of Arce’ in ‘Savage’, Clinic, London (2017)
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[5]

Hélène Cixous, The Laugh of the Medusa, published in Signs, Vol. 1, No. 4 (Summer, 1976) pp. 875-893.
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[6]

Poster from Marleen Gorris, ‘De Stilte Rond Christine M. (A Question of Silence)’ (1982), 82 minutes.
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[7]

Peter Stallybrass, Allon White, ‘The Politics and Poetics of Transgression’, Cornell University Press, New York (1986) pp. 185-187.
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[8]

Giorgio Agamben, ‘The Unspeakable Girl’, Seagull Books, Kolkata (2014) pp. 24-29.
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[9]

‘The Mythical Vulva’, cover of the book by Georges Devereux ‘Baubo Die mythische Vulva’ Syndikat (1981).
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[10]

Poster design by Maude Vervenne for the library and studio display at Westerdok ‘Bodies Extra-oridinaires’, inspired by the original poster of the film (2021).
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[11]

Pauline Curnier Jardin, sketch (2021).
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[12]

Pauline Curnier Jardin, sketch inspired by processions around Italy (2021).
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[13]

Pauline Curnier Jardin, sketch inspired by processions around Italy (2021).
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[14]

Pauline Curnier Jardin, sketch after watching Marleen Gorris’ A Question of Silence (1982), (2021).
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Legend

[1]
Pauline Curnier Jardin, ‘Peaux de Dame’ (2018), installation.

[2]
Flanders or England (ca. 1410), Oxford, Bodleian Libraries, Lat. liturg. f.2, f.4v. From ‘Body Language: Het lichaam in de middeleeuwse kunst’, Museum Catharijne Convent, Utrecht (25 september 2020 - 17 January 2021).

[3]
Alexis Pauline Gumbs, ‘spill: scenes of black feminist fugitivity’, Duke University Press, Durham and London (2016), page 34.

[4]
Rebecca Tamás, ‘Joan of Arce’ in Savage, Clinic, London (2017), with courtesy of Poetry International.

[5]
Hélène Cixous, ‘The Laugh of the Medusa’, published in Signs, Vol. 1, No. 4 (Summer, 1976) pp. 875-893.

[6]
Poster from Marleen Gorris, ‘De Stilte Rond Christine M. (A Question of Silence)’ (1982), 82 minutes.

[7]
Peter Stallybrass, Allon White, ‘The Politics and Poetics of Transgression’, Cornell University Press, New York (1986) pp. 185-187.

[8]
Giorgio Agamben, ‘The Unspeakable Girl’, Seagull Books, Kolkata (2014) pp. 24-29.

[9]
‘The Mythical Vulva’, cover of the book by Georges Devereux ‘Baubo Die mythische Vulva’ Syndikat (1981).

[10]
Poster design by Maude Vervenne for the library and studio display at Westerdok ‘Bodies Extra-oridinaires’, inspired by the original poster of the film (2021).

[11]
Pauline Curnier Jardin, sketch (2021).

[12]
Pauline Curnier Jardin, sketch inspired by processions around Italy (2021).

[13]
Pauline Curnier Jardin, sketch inspired by processions around Italy (2021).

[14]
Pauline Curnier Jardin, sketch after watching Marleen Gorris’ A Question of Silence (1982), (2021).

[15]
Pauline Curnier Jardin, ‘Peaux de Dame’ (2018), installation.

Sound
Sound fragment from Marleen Gorris’ ‘A Question of Silence’, minutes 1.30.00-1.32.03.

Background image
Image from Pauline Curnier Jardin’s film and installation ‘Fat to Ashes’, 2021.

Cursor
Eye cursor from Pauline Curnier Jardin’s artist website.

[15]

Pauline Curnier Jardin, ‘Peaux de Dame’ (2018), installation.