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Welcome to the second chapter of Sketching Stories of Wounds and Wonder. This collection of materials reflects on the role of weaving in Juliastuti’s script-in-the-making. Mirroring the idea of ‘Weaving as an Infrastructure for Protection’, this page is built as a textile of sorts where disparate elements, including books, images, videos and fabrics, are woven together. The video interview at the bottom functions as a compass to navigate the page and engage with its different components.

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Nuraini Juliastuti, We Sell Reality, from the ongoing series #domesticnotes, 2023, instagram ›››

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A repository of “Transdisciplinary Practice: An Inventory of Sound Heritage,” a seminar carried out in 2023 by Nuraini Juliastuti at the HKU University of the Arts, Utrecht, with the participation of Athina Koutsiu, Fatemeh Asiri, Habiba Afifi, Savvas Gerolemidis, and Sean Ali Wang. ›››

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Siti Maimunah, Weaving, Guardian of Identity. Weaving, the Commons, & Womanhood, Poros Photo, Perhimpunan LAWE, Organisasi Attaemamus (OAT), dan, and GEF-SGP, 2017.

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Our Mothers’ Land, full movie, Leo Plunkett (Director/Editor/Cinematographer), Febriana Firdaus (Writer/Producer), Tom Johnson (Producer), The Gecko Project and Mongabay, 2020, 55 min. ›››

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My Childhood Clothes, an oral account by Agustina Kase. Written down by her grand-daughter Melisa Nino-Nenek in the framework of the Lighthouse Writing Club organized by Lakoat Kujawas in 2021. Translated into English by Fiky Daulay in 2022. ›››

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Meirina Soe, Mea and the Palm Flowers, Berkeley: Tracing Patterns Foundation, 2021. ›››

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Textile collaboratively made in the context of “Transdisciplinary Practice: An Inventory of Sound Heritage,” a seminar carried out in 2023 by Nuraini Juliastuti at the HKU University of the Arts, Utrecht, with the participation of Athina Koutsiu, Fatemeh Asiri, Habiba Afifi, Savvas Gerolemidis, and Sean Ali Wang. ›››

Conversation between Sara Giannini and Nuraini Juliastuti, recorded on 12 June 2023.

Chapters: 01.22 Weaving as infrastructure for protection / 11.41 Weaving in the script / 17.29 On the text ‘My Childhood Clothes’ / 20.40 The story of the women weavers / 27.12 On the book ‘Weaving, Guardian of Identity’ / 29.50 On the children’s book ‘Mea and the Palm Flowers’ / 31.49 Collaborative work at the HKU / 36.33 Visit to We Sell Reality at the Rijksakademie, Amsterdam